Featured Stories:
April 24th, 2008 at 1:16 pm

It’s spring in New York, and Philip Glass is bursting out all over — from Satyagraha at the Met to new box sets of previously recorded works and even a documentary about the composer at IFC Center.

April 24th, 2008 at 11:09 am

Earlier this week, Peter Gelb, the Met’s general manager, asked tenor Juan Diego Flórez if he would repeat the aria “Ah! Mes Amis” from Donizetti’sLa Fille …

April 23rd, 2008 at 5:32 pm

Charles Mingus(1922-1979), the acclaimed jazz composer, would have turned 86 yesterday. Mingus is heralded as the heir apparent to Duke Ellington, a close friend and colleague of Mingus during his …

April 23rd, 2008 at 10:16 am

See a profile of Judith Jamison, a veteran of the renown Alvin Ailey American Dance Theater in New York, and its artistic director since 1989.

April 22nd, 2008 at 11:40 am

“All of Andy’s work addresses this poetic sensibility and empathy he has with nature,” says Financial Times art critic Claire Henry, “[He] can take what is under our feet and use it to focus our thoughts on the great ephemerality of life.” In this episode of EGG, Andy Goldsworthy shares his frustrations with the precarious nature of his sculptures.

April 21st, 2008 at 2:55 pm

Designed for Pleasure (on exhibit now at the Asia Society and Museum) examines Ukiyo-e (pronounced oo-key-yo-ay), the paintings and woodcuts that depict the “floating world,” a term that has become identified with the pleasure quarters and theater districts of Edo, Kyoto, and Osaka during the late seventeenth to late nineteenth centuries. GO

April 21st, 2008 at 10:15 am

Richard Price, whose eighth novel Lush Life (FSG) came out last month, discusses the decade-long shift in the cultural landscape of Manhattan’s Lower East Side….

April 18th, 2008 at 11:29 am

If you drive down the Westside highway, you’ve probably noticed an all-glass building off to your left. The unusual structure — architecture critic Paul Goldberger calls it a “palazzo” — …

The Ragtime Era
April 18th, 2008 at 10:55 am

In the early days of public television, the medium was dominated by lectures given by instructors in front of plain backgrounds. One of the programs to break out of that mold was performer and historian Max Morath’s “The Ragtime Era” which was pioneering in its use of sets, costumes and make-up.
In this recently unearthed 1960 episode from the WNET archives, Morath delves into the history of Tin Pan Alley.

April 18th, 2008 at 10:53 am

I’ll be the first to admit it: I’m cheap. So my initial reaction to the Metropolitan Opera’s 2006 program offering same-day tickets for certain performances was: Finally, someone in opera heaven is listening.



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Wednesday,
November
19
, 2008
10
:05
pm
President-elect Barack Obama is beginning to create his cabinet and assess roles within the upcoming administration.
Wednesday,
November
19
, 2008
07
:02
pm
Just two days after the judge declared the trial of three men suspected of involvement in Russian journalist Anna Politkovskaya's murder would be open to...
Wednesday,
November
19
, 2008
06
:42
pm
Jeff Seelbach Juan Evo Morales Ayma, President of Bolivia, spoke in New York on Tuesday as part of the Columbia University World Leaders Forum. Morales, the...
 
 
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